Bully Kanye: A 13-Track Tease, AI Claims and the Human Fallout

At a stadium in Haikou, China, fans first heard a portion of what would become a center piece of bully kanye when Kanye West previewed “Beauty and the Beast” — one of 13 songs he later posted online with the emphatic line “BULLY ON THE WAY NO AI. ” The post underlined a central tension around the record: is the music purely human-made, or did new tools shape its sound?
What does Bully Kanye say about AI in music?
West has offered conflicting public statements about artificial intelligence. In a social post he wrote in all caps, “BULLY ON THE WAY NO AI. ” That post sits against comments he made in an interview with Justin LaBoy, where he described using AI “the same way I incorporated Auto-Tune. It’s a tool, not a replacement. ” He also described technical uses of AI stem splitters and said, “So when I send a song or a sample to my engineers, I just say, ‘JS [his engineer, John Scott], AI. ‘”
At the same time, multiple associates — including Peter Jideonwo, music manager, and Milo Yiannopoulos, described in context as a former chief of staff and far-right commentator — have stated that Bully contains no AI. The contrast between West’s interview remarks and the public assurances of his team has become a focal point: West himself insists the album will not use AI, while his past explanations of experimenting with vocal-transforming platforms have left observers parsing intent and technique.
Why have fans and critics reacted uneasily?
Delays and partial previews have fed skepticism. West first teased the record in September 2024 with a live preview of “Beauty and the Beast, ” later shared a short film, Bully V1, starring his son Saint West that included much of the posted track list, and confirmed a planned release through the independent company Gamma that did not happen on the announced date. A 13-song list that includes previously previewed tracks such as “Beauty and the Beast” and “Preacher Man” has circulated, but no new release date has been confirmed.
Critical responses noted in the available context point to another strain of disquiet: where some songs lean heavily on samples and familiar hooks, the original elements can feel thin. In one account, vinyl copies arrived with audible material that reviewers interpreted as containing AI on the track “Preacher Man. ” The same commentary argued that thick layers of vocal processing left listeners unsure whether effects were creative choice or technological substitution.
Beyond music and technology, the album arrives amid a troubled public period for West. In late 2024 he was accused of sexual assault and sexual battery by two separate plaintiffs. In early 2025 he made a series of incendiary posts, and he later took out a full-page newspaper ad apologizing for his behavior, attributing it to bipolar disorder and to a frontal-lobe injury from a 2002 car crash that he said was not properly diagnosed until 2023. In that ad he wrote, “I’m not asking for sympathy, or a free pass, though I aspire to earn your forgiveness, ” and added, “I write today simply to ask for your patience and understanding as I find my way home. ” These personal and legal pressures form the backdrop to reactions to Bully.
What are artists and teams doing now?
West has taken tangible steps: posting a 13-track list and sharing a short film that highlights much of the proposed album. Associates and some members of his team have publicly asserted that the record contains no AI. Meanwhile, elements of the release process — a missed release date tied to Gamma and the circulation of physical media with disputed audio characteristics — have left room for further clarification. Engineers and managers connected to West remain central actors in resolving the remaining questions about production methods and delivery timing.
Back in Haikou, the memory of that preview remains a small, precise scene: a crowd reacting to a beat and a hook, a child appearing in a short film, and a posted track list that declares a hard line on technology. For listeners and collaborators, the declaration “BULLY ON THE WAY NO AI. ” is both a promise and a provocation. As the album’s fate unfolds, the human consequences — from the artist’s health and legal entanglements to fans’ trust and the livelihoods of creative partners — will shape how the music is heard and judged.



