Best Picture Nominees: Winners and Losers from the 2025 Oscar Nominations

In Quincy the announcement landed like a ledger closing on a strange, busy year: the list of best picture nominees was included among the 2025 Oscar nominations that were officially revealed, and its tally reshaped expectations for a season that had already been defined by box office surprises and bold performances.
Which films dominated the nomination list?
At the top of the ballot sat Sinners, a hybrid of horror, music and the supernatural that emerged as the year’s commercial heavyweight and the single film with the most Academy Awards nominations ever, collecting 16 nods. Its haul included Best Director for Ryan Coogler, Best Score for Ludwig Goransson, and Best Leading Actor for Michael B. Jordan. The sheer number of nominations positioned Sinners as a central presence among the best picture nominees and a likely contender across many major categories.
Not far behind in attention was Frankenstein, a winter release that split critics and audiences but nevertheless earned nine nominations. One of the more unexpected entries from that film was Jacob Elordi’s nomination in Best Supporting Actor; Elordi, known for his role on the HBO Max show Euphoria, drew notice for conveying emotion through physicality in a performance that surprised some viewers and voters alike.
How did major stars fare in the nominations?
Individual careers were sharply refracted through the nominations. Timothée Chalamet received a Best Lead Actor nomination for his role in Marty Supreme, marking a milestone: he became the youngest performer to earn three lead actor nominations since Marlon Brando in the 1950s. Michael B. Jordan anchored the season in a different way, delivering twin performances that helped make Sinners the most-nominated film in Academy history. Other established and rising talents featured across the nomination lists, reinforcing awards-season narratives about acting range and industry momentum.
At the same time, there were notable absences. Wicked: For Good, which as the prior film in the franchise had claimed multiple nominations and wins the year before, received no nominations this cycle. The lack of recognition extended to its leading performers: Cynthia Erivo and Ariana Grande, who had been prominent faces of that franchise, did not receive acting nominations amid a ballot that otherwise favored other musical and dramatic entries.
What does the nominations picture say about the awards season?
The pattern of nominations points to a season that rewarded technical ambition and transformative performances. Sinners’ crossover of genre and spectacle garnered attention from both box office audiences and Academy voters. Frankenstein’s recognition, despite mixed reviews, suggests that the voting body responded to aspects of performance and craft that transcended common critical consensus.
Portraits of the season’s players underscored this mix of commercial reach and artistic risk. Performers who shifted registers—moving from intimate, character-driven work to more expansive or experimental roles—found themselves back at the center of awards conversations. The nomination map thus serves as both a snapshot of this year’s choices and a ledger of how the Academy balanced crowd-pleasing success with perceived artistic achievement.
As the industry moves from nominations to campaigning and voting, these names and films will occupy competing frames: box-office phenomenon, intimate performance piece, or bold reinvention. The presence of Sinners, Frankenstein, and the highlighted actors in the best picture nominees list has already reframed who is seen as likely to take home major prizes—and who has been left at the margins.
Back in Quincy, where the announcement first landed in print, the reaction will now follow the next chapters of awards season: screenings, speeches, and the round-the-clock recalculations that come with each new nominee reveal. For viewers and voters alike, the slate of best picture nominees has set the stage for a season defined by contrasts—between spectacle and subtlety, surprise and momentum—and by the promise that the final outcomes will both confirm and upend the expectations created by this nominations list.




